From a musical point of view, ‘Beyond Good and Evil’ is everything but
minimalistic, characterized by rich electronic arrangements and multiple
textures of melodies and orchestrations. The retro-futuristic style
recalls many ‘80s pop icons, such as Ultravox, Depeche Mode, Simple
Minds or Gary Numan, without lacking more modern rock and industrial
influences.
It was not born as a concept album, and probably it’s not such even if
we look at the end result. However, at some point in the working phase,
we noticed the existence of a ‘leitmotif’, born spontaneously and almost
unconsciously; an underlying thread behind the scaffolding of the
entire album, but at the same time, organic to the latter.
It’s the concept of hypocrisy, effectively symbolized by the ‘veil’ (a
metaphor borrowed from the philosophy of Schopenhauer and, before him,
from the eastern culture); something that is between the observer and
the real essence of things.
This is the intrinsic concept of BGaE; a trace of it can be spotted in
each song, always from a different point of view. The veil can be a
metaphor for many forms of hypocrisy: the perversion of social patterns,
the lack of transparency and sincerity in relations between lovers or
friends, the want of communication and isolation barrier behind which
some of us take shelter to protect ourselves from cruelty and the
irrational chaos of this world, the sterile materialism of a substantial
part of our society, etc.. This is evident from the first song ‘The
Veil of Maya’, which can be considered the manifesto of the entire work;
in it, it’s also obsessively present the exhortation which is the other
thread of the album; It’s not limited to single out the existential
problems but it also offers a possible solution: the gash of the veil,
the abandonment of any illusory condition of human life; a difficult but
essential process, desirable - mind you -no matter what you encounter
on the other side of the wall (it is here that takes way the quote from
Nietzsche that gives the title track, although completely changed to the
original direction), whether is ‘Good’ or ‘Bad’.
We must accept the truth of our existence for what it is; if necessary,
fight to change it. However, too often humans mutilate themselves in a
voluntary state of minority, afraid to face reality. Changes are
possible, anyhow, if each one realizes this simple thing.
‘Beyond Good and Evil’ is essentially this: a humanist work, which
criticizes the human race for human race’s sake. The great hope hidden
behind the veil of pessimism.
Tracklist: 01. Beyond Good & Evil (1:45) 02. The Veil Of Maya (4:02) 03. I Wanted Love (3:46) 04. Game Over (4:48) 05. This World’s Too Loud (5:46) 06. I Prefer Machines (4:14) 07. Hikikomori (2:43) 08. Something To Live For (4:38) 09. Renaissance (4:47) 10. The Losers (5:58) 11. Game Over (Remix) (5:14) 12. I Prefer Machines (Jens Polger Dynamic Master Remix) (4:16) 13. The Losers (Klaak Remix) (5:17)
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